From Wolves To Whales

by Wooley/Rempis/Niggenkemper/Corsano

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1.
14:56
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5.
10:22

about

Having crossed paths around the world many times over the years, Nate Wooley and Dave Rempis finally realized their long-time intention of forming a band together in the winter of 2014, with a lineup that can only be described as stellar. Featuring some of the leading lights of both the New York and Chicago improvised music scenes, the four members of this quartet, all internationally acclaimed players in their own right, found a common language as a unit right from the start. This first document of their work was made in the studio following three concerts in Manhattan and Brooklyn in February of 2014, and the inventive and a-typical flow of their improvisations shows a band operating at a higher level of creativity from the get-go. Meanwhile, the broad stylistic range that they tackle, from microcosmic sound pallets to passages bounding with unbridled energy, shows a new group with a myriad of musical possibilities already under its belt. From Wolves To Whales, the debut recording by this quartet, sets the stage for a future of fruitful collaborations to come.

credits

released January 6, 2015

Nate Wooley - trumpet
Dave Rempis - alto saxophone
Pascal Niggenkemper - bass
Chris Corsano - drums


1) Slake 14:57
2) Serpents Tooth 10:48
3) Stand Up For Bastard 08:00
4) Swingin' Apoplexy 07:59
5) Count Me Out 10:15


Recorded February 10th, 2014 by Matthew Marinelli at Coral Sound, Long Island City, NY
Mixed and Mastered by Dave Zuchowski
all compositions by Wooley/Rempis/Niggenkemper/Corsano

Design by Johnathan Crawford
Produced by Dave Rempis

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about

Aerophonic Records Chicago, Illinois

Aerophonic Records is a 100% artist-run label created by well-known Chicago saxophonist Dave Rempis (Rempis Percussion Quartet, The Engines, Ballister, Vandermark Five) to document his ongoing work. His intent with the label is to give him more direct contact with his audience, more control over how his work is presented, and more synchronicity between touring schedules and recorded output. ... more

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